Paintable Wall Area
384sq ft
Gross 384 − deductions.
Measure Twice, Buy Once
Calculate exactly how many gallons of paint and primer you need, plus a complete supply list for your weekend DIY project.
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Start from a common room size, then edit the dimensions and material settings to match your exact space.
Measure wall-to-wall and floor-to-ceiling. Round up a few inches if your tape says maybe — extra paint returns to the shelf, shortages stop the job.
Each deducts ~21 sq ft from the wall area.
Each deducts ~15 sq ft. Floor-to-ceiling glass? Count it as a door.
Nap is the roller’s fabric pile. Rougher walls need longer nap.
Estimates update automatically as you type. Coverage assumes 300 sq ft/gal primer, 350 sq ft/gal paint, +10% waste — always check your can’s label.
Paintable Wall Area
384sq ft
Gross 384 − deductions.
Ceiling Area
—
Ceiling not selected.
Primer Needed
1.5gal
Raw 1.4 gal × 1.10 waste.
Paint Needed (2 coats)
2.5gal
1.2 gal per coat × 2 × 1.10 waste.
Roller Nap Size
3/8″ nap
For smooth drywall.
Cutting-In Brush
2.5″ angled sash brush
For edges, corners, and trim lines.
Supply Counts
3 roller covers · 3 tape rolls · 2 drop cloths
1 good cover per ~150 sq ft · 1 tape roll per ~30 ft of trim · 9×12 cloths.
Pro Notes
Drying times are the schedule. Rushing coat two on a wall that is still cool to the touch is how finishes peel a month later.
Everything the job needs, in aisle order: paint counter first, then prep, then tools. Quantities match this room’s math.
The three-dollar roller cover is the most expensive tool on your project. Cheap covers shed lint into wet paint — you will spend an hour picking fuzz off with a toothpick — and their thin, uneven nap holds so little paint that you reload twice as often and leave dry streaks and skip marks. A quality woven 3/8″ cover costs eight to twelve bucks, holds a full load, and lays an even film.
Do one thing with every new cover, even the good ones: rinse it with water, spin it dry in an old towel, and wrap a strip of masking tape around it and peel to grab the loose fibers. That thirty seconds removes the lint that would otherwise live forever in your finish. Same math applies outside — fence stain needs its own coverage math, and our deck and fence material calculator sizes those gallons before you stand in the stain aisle guessing.
Lap marks are the stripes you see where wet paint met half-dry paint, and they happen when you paint in long uninterrupted strips or stop mid-wall for a phone call. The fix is the W: load the roller, lay the paint in a rough W or M inside a three-by-three-foot section without lifting off the wall, then fill the gaps with vertical strokes, and finish with one light top-to-bottom pass.
Keep a wet edge at all times — each new section overlaps the previous one while it is still wet. And stop squeezing the roller dry; when it starts squeaking and spitting, reload. Pushing an empty roller into the wall does nothing except build arm fatigue and leave an orange-peel texture.
Paint hides with titanium dioxide, and it only has so much of it. A dark red or navy wall is fighting your new light color for control, and without primer you will roll three or four coats of expensive topcoat trying to win — and still see ghosting in raking light. Primer is cheaper than paint and built specifically to block what is underneath.
For drastic changes, ask the paint counter to tint the primer toward your new color — gray for deep colors, a light version of your target for white walls. One coat of tinted primer plus two coats of topcoat is faster, cheaper, and more reliable than four coats of paint alone. Primer is also mandatory over bare drywall, spackled patches, and water stains, no exceptions.
Tape is slower than you think, and it peels paint if it sits too long. Pros cut in freehand: load a 2.5″ angled sash brush, wipe one side against the can’s lip, hold it like a pen, and pull the corner of the brush about an eighth of an inch off the trim with a steady hand. Let the bristle tips do the steering — pressing hard fans the bristles and blobs the line.
The pro move is blending: cut in a three-foot stretch, then roll that same stretch while both the brushed and rolled paint are still wet. That merges the two textures so the wall does not end up with a “picture frame” band around the edges. If your hands shake or the line is against glossy trim, tape it — press the edge down hard, paint, and pull while tacky.
Plastic sheets are a hazard, not a shortcut. They slide under ladder feet, and paint drips sit on the surface as puddles that track through the whole house on your shoes. Canvas absorbs drips, grips the floor, and lasts for years of projects — the one-time cost pays off by the second room.
Plastic has exactly one job: covering furniture and stacked boxes, where paint only lands as overspray. Use it there, and put canvas on every floor you walk on. While you are prepping: empty the room properly first — our moving box calculator sizes the boxes for clearing it out. Doing floors too? Paint the walls after the flooring is in, and let our tile and flooring calculator handle the floor math first.
The can usually says 350–400 square feet, but real coverage on textured or porous walls lands closer to 300–350. This estimator uses 350 for paint and 300 for primer, plus a 10% waste allowance, and rounds up to the nearest half gallon. Always check the spread rate printed on your actual can.
Almost always yes. Two coats give even color, uniform sheen, and a film you can actually wash. One coat over a similar color with tinted primer can work, but dark-to-light or bare-drywall jobs on a single coat are how ghosting and patchy sheen happen. Buy the second gallon now — touch-up paint mixed two years later never matches the dye lot.
Nap is the fabric pile height on the roller cover. Smooth drywall takes 3/8″, light orange peel takes 1/2″, heavy stucco or brick takes 3/4″. Thicker nap holds more paint and reaches into texture but leaves a rougher finish, so use the smallest nap your texture allows.
Read your can, but most latex paints need 2–4 hours. Cold, humid, or poorly ventilated rooms push that longer. Recoating too early drags the first coat off and creates peeling patches — if the surface feels cool or tacky, give it another hour.
It is fine for repainting sound walls in a similar color. It is not a shortcut over dark colors, stains, glossy surfaces, or bare drywall and patches, where dedicated primer still wins. Think of it as slightly thicker paint, not as actual primer.
Wrap the loaded roller tightly in a plastic bag or cling film, squeeze out the air, and put it in the fridge. It stays fresh for two or three days. Let it sit at room temperature for about twenty minutes before rolling again. Do not leave it in the tray overnight or it skins over.
Usually one of three causes: new latex over old oil-based paint without a bonding primer, paint over grease or dust, or tape pulled after the paint fully cured. Fix it by scraping and sanding back to a sound edge, wiping clean, applying a bonding primer, then repainting — and pull tape while the last coat is still slightly tacky.
Measure the slope length of the ceiling surface, not the floor span, and multiply by the room width, then add any triangular gable ends you are painting. Vaulted work is slower and throws more overspray, so add another 10–20% on top of the area before converting to gallons. If you are sizing the room itself for comfort after the renovation, our room AC BTU calculator handles the HVAC side.
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